The Bongs Again Full Movie Einthusan

The Best Due south Korean Movies Y'all Need To Picket

On Feb ix, 2020, the University Awards made history past application Best Picture, the crown jewel of the ceremony, to Parasite, marker the first time a non-English language film took home the evening's top accolade. Directed by Due south Korean director Bong Joon Ho, Parasitetriumphed over contenders similar 1917, Joker, and The Irishman while winning Best Director and Best Original Screenplay, reaffirming that international cinema can be a big role of the chat in a real fashion.

International movie house definitely shouldn't exist overlooked, and from French republic to Mexico to Italy, countries around the world continually offer excellent films that any moving-picture show lover tin enjoy, language barriers notwithstanding. South Korea actually has one of the busiest movie industries in the globe, and if y'all're curious most the rest of the nation's offerings after Parasite, there's enough more where that came from.

Parasite

A list of outstanding South Korean films wouldn't be complete without mentioning Parasite. Bong Joon Ho's capitalist critique and modern masterpiece is ane of the nigh original and exciting films to hit any theater worldwide in recent memory, so it's no wonder that it surged ahead of a crowded field to take home the coveted Best Picture bays.

The story of the Kim family — who are played by veteran actor and frequent Bong collaborator Song Kang Ho alongside Choi Woo Shik, Park And then Dam, Chang Hyae Jin every bit his grown children and married woman — Parasite casts a stark low-cal on fiscal inequality, specially when it comes to the struggling Kim clan. When Ki-woo (Shik) gets the chance to work for the wealthy Park family (played by Lee Sun Kyun and Cho Yeo Jeong), the family concocts a plan that could help them trade squalor for luxury.

The twists and turns of Parasite are way as well proficient to spoil here, so if you oasis't caught this flick yet, we won't spoil information technology for you. In whatever example, Parasite, which began its awards run by winning the Palme d'or at Cannes and closed it out by winning Best Picture, certainly earned its spot on the listing of best South Korean films.

Poesy

I of S Korea's nearly highly rated films is also its virtually touching and heartfelt; specificallyPoetry, which was released in 2011. Written and directed past Lee Chang-dong, this family drama centers on Yang Mi-ja — played past storied South Korean actress Yoon Jeong-hee, who came out of retirement specifically for the function — equally a woman in her 60s who finds herself afflicted with Alzheimer'due south disease. As she struggles to bargain with her illness, as well equally her difficult grandson, Mi-ja finds herself using poetry to assistance her make sense of her constantly irresolute world.

From there, the story takes several turns, including an upsetting plot virtually Mi-ja's troubled grandson Wook (Lee David), who may be responsible for an attack on a daughter in his form. Ultimately, Mi-ja handles the situation and finds peace, despite her unpleasing memory. Upon its release, Poesy was entered into the 2010 Cannes Moving picture Festival and won an award for its screenplay, proving that small, intimate stories resonate regardless of national origin.

Oldboy

Parasite made major waves for South Korean cinema on the international stage, only for cinephiles across the world, 2003's Oldboy was a archetype long before. Directed by Park Chan-wook and based on a comic book of the same name by Garon Tsuchiya and Nobuaki Minegishi, what many viewers might non know about Oldboy is that it'due south besides part of the "Vengeance Trilogy," correct in the middle ofSympathy for Mr. Vengeance and Lady Vengeance.

The story of Oh Dae-su (Choi Min-sik), a man imprisoned for fifteen years earlier escaping prison only to exist drugged and abducted, Oldboy is packed full of twisting, tearing turns, especially as Dae-su tries to figure out the identity of his captor, every bit well as navigate a new romance and escape a group that'due south withal hunting him downward. The final twist is as unsettling as anything you've e'er seen on the big screen, but thank you to careful direction by Park, Oldboy still stays away from free shock value and violence to create a gripping tale of vengeance and mortality. The film inspired a Spike Lee-helmed remake in 2013, though that version was ultimately much less popular than its predecessor.

Female parent (Madeo)

Bong Joon Ho broke into the American market with films like Snowpiercer and Parasite, but you shouldn't overlook some of his before films, like 2010's Mother (titled Madeo in Due south Korea).

Korean actress Kim Hye-ja stars as Mother, who sells acupuncture to people in her small town (fifty-fifty though she doesn't have a license) and is extraordinarily protective of her simply son, Practice-joon (Won Bin), who suffers from severe mental disabilities and is prone to violence if provoked. Later on a series of unfortunate events, Practice-joon is accused of murdering a immature daughter, and Female parent must find a style to clear his name and acquit him of what she believes are wrongful charges. However, there'southward still a lot about Practise-joon that Mother has yet to learn, which pushes her to the breaking point as she keeps trying to protect him.

Female parent premiered at several pic festivals — including Cannes — earning critical acclaim, and initially received a limited release in the U.South., later netting a wider release equally a part of a retrospective on Bong's work in 2015. It performed extraordinarily well in South korea, becoming one of the land's highest-earning films.

Burning (Beoning)

Based on "Barn Burning," a short story by prolific and popular writer Haruki Murakami, Called-for, or Beoning, was released in 2018 to considerable acclaim and attending across the world. Directed and co-written by Lee Chang-dong, the motion picture tells the story of Lee Jong-su (Yoo Ah-in), a immature novelist who reconnects with a adult female from his by, Shin Hae-mi (Jeon Jong-seo), who asks him to feed her true cat and scout her home while she goes on a trip to Africa. Their relationship grows complicated, and when she returns from Africa with a new boyfriend named Ben (The Walking Expressionless's Steven Yeun), everything gets a lot stranger and more complex for Jong-su, Hae-mi, and Ben.

Critics across the world praised Called-for for its intricate plot and ho-hum build. In 2018, the picture was shortlisted for consideration at the 91st Academy Awards, and though it didn't make the cut, it became the first ever Due south Korean motion-picture show to e'er be considered past the Academy.

The Handmaiden

Inspired by Sarah Waters' novel Fingersmith, Park Chan-wook'due south 2016 film The Handmaiden changes the original source'south setting from Victorian England to Korea when it was under Japanese control. Told over 3 parts, the film focuses on Lady Hideko (Kim Min-hee), a rich heiress targeted by a con man, Fujiwara (Ha Jung-woo). Hellbent on marrying her to steal her fortune, he hires a pickpocket, Sook-hee (Kim Tae-ri), to infiltrate her life, but it turns out that Hideko knows a lot more than she lets on, leading Sook-hee on a wild ride as he learns more agonizing details virtually her past.The Handmaiden is definitely a thriller worth the journeying.

Praised for its careful direction, stunning visuals, and complex plot, The Handmaiden performed extraordinarily well with critics and topped several best-of lists for 2016, later winning Best Movie Not in the English language at the 71st Almanac BAFTAs.

The Host

Before Snowpiercer and Parasite, Bong Joon Ho's biggest hitting internationally was The Host, a 2006 supernatural thriller that kept audiences on the edge of their seats. Inspired past a local news piece near a deformed fish found in a Korean river, Bong crafted a narrative focused around a slow but good-hearted man named Park Gang-du (played by frequent Bong collaborator Song Kang-ho) who runs a small food stand up by the Han River and experiences a horrifying, otherworldly incident on an otherwise uneventful day. 1 twenty-four hour period during work, an enormous monster emerges from the river, and though Gang-du tries to save his daughter Hyun-seo (Go Ah-sung) from the monstrosity, he grabs the wrong girl, and his daughter is taken. Aslope the balance of his family, he must try and rescue his girl and figure out exactly what this monster even is.

The motion-picture show, which explores a worst-case scenario of government interference with natural resources, received overwhelming acclamation, thanks to Bong'due south now signature combination of satire, dark comedy and horror. Clearly, this director had much more than to offering, but The Host was certainly an excellent indicator of great projects to come up.

Train to Busan

Zombie films have long been pop around the world, and South korea is no exception, as proven by the success of 2016's Railroad train to Busan. Directed by Yeon Sang-ho, the movie takes place almost entirely on a train, where a routine trip is interrupted by news of a horrifying zombie apocalypse that threatens humanity. The train is infected as well thanks to a rogue rider, and suddenly, the entire population of the train is at take a chance equally they wait for word from their loved ones on the outside. The train eventually stops at a station, and the passengers must find another manner to Busan.

Clearly, this thrilling movie captured the imagination and attention of filmgoers in Southward Korea; after its release, information technology became the outset Korean motion picture of 2016 to cleft ten million moviegoers. Cheers to its uncomplicated premise and developed, relatable characters, it too attracted worldwide disquisitional praise, marking withal some other victory for South Korean cinema.

Memories of Murder

Long before Parasite, Bong Joon Ho'due south first big critical splash came with 2003's Memories of Murder, a Se7en-manner saga based on a existent string of serial murders in Republic of korea throughout the late 1980s and early 1990s. Bong tells the story through two detectives — Park (Song Kang-ho) and Seo (Kim Sang-kyung) — who must observe the person responsible for brutal sexual crimes and murders. Despite their very dissimilar methods, Park and Seo have to work together; unfortunately, their hard piece of work takes several agonizing twists and turns that ultimately offer up few conclusions.

With only his second film, Bell defenseless the attention of directors like Quentin Tarantino — a fact Bell acknowledged during his emotional acceptance speech for the All-time Managing director statue at the 2020 Oscars — and earned international acclaim every bit well as adoration within Due south Korea, putting him firmly on the map as a filmmaker to sentry.

The Historic period of Shadows

In 2016, director Kim Jee-woon blew international audiences away with The Age of Shadows, an activity thriller about government resistance and betrayal. The story focuses on powerful Korean police captain Lee Jung-chool (Song Kang-ho), who is charged with reporting members of the resistance to the Japanese government (which controlled Republic of korea during the early 20th century); every bit the motion-picture show goes on, he'south unexpectedly shaken by the death of one of his classmates, who led part of the resistance. Even though he's sold out allies before, the resistance tries to take this opportunity to bring Jung-chool back to their cause, resulting in a push and pull between Jung-chool and his sometime friends.

The outset-ever South Korean production from Warner Bros., The Age of Shadows proved a resounding success, performing incredibly well at the South Korean box role and winning over critics and audiences across the world. Clearly, the studio's investment paid off, opening the door for more than Korean dramas to be distributed around the world.

On The Beach at Nighttime Alone

Sometimes, the simplest stories are the most effective, which is perfectly exemplified past the 2017 South Korean film On the Embankment at Night Alone. Directed, written, and produced by prolific filmmaker Hong Sang-soo — who has made over 25 films in Due south Korea — this gripping narrative is nearly, well, a woman on the beach at night alone. Young-hee (Kim Min-hee), a beautiful immature actress, takes to the beach by herself one evening to muse over her difficult relationship with a husband. Every bit she wonders if he misses her every bit much as she misses him, Hong explores themes of beloved, loss, and betrayal.

On the Beach at Night Alone was praised past critics as a deviation from Hong's style that notwithstanding retained his "singular sensibilities," resulting in one of the director's most personal and gorgeous projects.

My Sassy Daughter

1 of Southward Korea'due south most popular comedies, 2001'south My Sassy Girl is based on a existent ready of blog posts by an aggrieved young man about his beautiful but troubled girlfriend. Jun Ji-hyun stars every bit "The Girl," who meets her eventual boyfriend Gyeon-woo (Cha Tae-hyun) when he saves her from drunkenly falling in front of a train. As it turns out, she has a complicated and rather tragic romantic by, and throughout the film, she keeps Gyeon-woo on his toes constantly, to put it lightly. The two eventually effigy out a way to make their relationship work, despite every possible hurdle existence thrown in their path — and since this is a romantic comedy, those hurdles oftentimes turn out to exist pretty agreeable.

My Sassy Girl remains one of the country's almost beloved films, performing well with critics and kicking off a new wave of Korean films becoming pop beyond the globe. If the name sounds familiar, it may exist because the U.S. remade the film in 2008 with Elisha Cuthbert and Jesse Bradford — simply it's definitely worth it to spotter the original first.

Shiri

Released in 1999, Shiri (called Swiri in its native land) is nevertheless one of Republic of korea'due south standout action films, thanks to the careful direction and vision of director and writer Kang Je-gyu. A loving homage to "high-octane" Hollywood action films, Shiri has a super-fast, breakneck footstep and perfectly mimics high-budget action blockbusters, giving South Korea its own versions of films like Die Difficult and even eventual successors similar the John Wick serial. Nonetheless, this movie also came with a message; beyond its activeness antics, Shiri too addresses the outcome of Korean reunification, making it the first large release in Due south Korea to tackle this particularly fraught issue and giving the motion picture a larger goal than fight scenes and explosions.

Shiri is also notable for one very unlike plot device: a stray female villain. The antagonist of the motion picture, Lee Bang-hee, emerges from military training as 1 of the strength's most promising snipers, and years later, the entire country tries to chase her down to no avail. The detectives in charge , Yu Jong-won (Han Suk-kyu) and Lee Jang-gil (Song Kang-ho) try to go along runway of Bang-hee as she sets off bombs across the country, only forth the way, they uncover some seriously unsettling secrets. The film, which is counted in some circles among the best action movies of all fourth dimension, holds upwardly against the most expensive Hollywood blockbusters.

Taegugki

Too written and directed past Kang Je-gyu, Taegugki (subtitled The Brotherhood of War) is just as aggressive as Shiri, but instead of big action set pieces, depicts a wartime narrative. Told throughout different timelines — equally the picture opens, a crew discovers the remains of a human who supposedly died during the Korean War, flashing back to tell his story — the film focuses on the experiences of Lee Jin-tae, a swain who in one case worked at a shoe shop earlier beingness forcibly drafted into the state of war. From there, he struggles to stay alive and return to his family and fiancée, though he puts his personal integrity at risk by committing dangerous and fifty-fifty evil acts.

Though it seems equally if Jin-tae's remains were somehow found in the rubble, it turns out in that location'south more to Jin-tae than meets the centre. An emotional rollercoaster of a story virtually the things state of war tin do to a person, Taegugki, which is Certified Fresh on Rotten Tomatoes, is a twisting, turning tale that volition go on you lot guessing and invested until the very stop.

Trounce

A teen drama created by Kim Sung-su and starring his frequent collaborator Jung Woo-song — who besides appeared in Kim'sMusa, amidst others — Shell tells the story of a young teenage boy forced into dangerous gang life. Based on a graphic novel by Huh Young-man and partly based on Jung's own life every bit a high schoolhouse dropout, the picture focuses on Min, a teenager who drops out of school and must figure out how to support his widowed, alcoholic mother. Meanwhile, Min is likewise trying to win over Romy, an educated, upper-class higher girl who is all set to go to college.

An intimate film that tackles some pretty large bug, Trounce is a archetype S Korean cinematic effort, and is definitely a must-watch if you're looking for a lesser-known but equally worthy Southward Korean option. Min'due south journey through the mob can be pretty intense, only thanks to Kim'southward conscientious direction and Jung's scene-stealing performance, the moving picture is never less than incredibly enjoyable.

A Tale of Ii Sisters

South Korean films span a large range of genres and moods, only the country is definitely known for its psychological thrillers, and A Tale of Two Sisters (the title of which translates to Rose Flower, Blood-red Lotus) is no exception. Directed and written by Kim Jee-woon and inspired by the oft-adapted South Korean folktaleJanghwa Hongryeon jeon, A Tale of 2 Sisters tells the story of a troubled teenage girl named Su-mi (Im Soo-jung) who returns dwelling subsequently being treated at a psychiatric facility for intense daze and psychosis. After getting dwelling house to her father (Kim Kap-soo) and younger sister Su-yeon (Moon Geun-young), Su-mi joyfully reunites with her dearest sister, just neither of them offer a warm reception to their stepmother Eun-joo (Yum Jung-ah). The entire family starts experiencing troubling supernatural apparitions, including visions of the girls' dead female parent, bringing tensions in the house to an all-fourth dimension high.

A troubling and frequently frightening portrait of a family in serious crisis, A Tale of Ii Sisters cleverly backtracks to explicate why Su-mi was getting handling in the showtime place, and by the time you go to the ending, it'll be well worth the journey, no thing how scary information technology gets. However, stick to the original; its 2009 American remake, The Uninvited, didn't fare quite besides critically.

No Regret

Throughout the past several decades, films take made enormous strides in inclusivity and diversity, and in 2006, South korea finally released its first fully LGBTQ+ feature, No Regret. Directed by Leesong Hee-il, an openly gay South Korean director, No Regret made huge strides for the country's queer community with its thoughtful and intensely considered portrayal of two young boys in honey.

The dearest story betwixt Su-min, a teenaged orphan trying to make his fashion in Seoul, and Jae-min, one of Su-min's clients at the driving service where he works, is tumultuous to say the to the lowest degree as the two men struggle to exist together; as the story goes on, they struggle to detect their manner back to each other in the face up of a series of increasingly scary obstacles. A critical and commercial success that drew huge crowds, No Regret is a landmark movie for Southward Korea, and is all the same incredibly relevant today.

I Saw the Devil

I Saw the Devil, a gripping 2010 activeness thriller film directed by Kim Jee-woon and written by Park Hoon-jung, stars Lee Byung-hun and Choi Min-sik as a detective and a serial killer locked in a deadly battle after the detective'due south fiancée is brutally murdered. Working aslope his tardily beloved'southward male parent, who happens to be the police team principal, Kim Soo-hyn (Lee) tries to track down his fiancée'southward killer, hunting down Jang Kyung-chul (Choi) as the killer evades him time and time again. As he tries to bring Jang to justice, Kim finds himself engaging in night, grisly acts, leading him to wonder what kind of detective and man he has go in his relentless quest for vengeance.

Despite its intense subject matter and often graphic violence, which required multiple recuts from the film's creative team to avoid a super-restrictive rating that would preclude it from seeing home release, I Saw the Devil received positive reviews, with critics praising the real emotion at the pic's core and the depth of both leading characters. If you're up for a disturbing yet rewarding watch, I Saw the Devil should definitely be on your list.

The Attorney

Due south Korean cinema has no shortage of thrillers nigh detectives hunting down dangerous serial killers, only 2008'south The Chaser is definitely a worthy add-on to this super-specific genre. The directorial debut of Na Hong-jin, The Chaser tells the story of Eom Joong-ho (Kim Yoon-seok), a quondam police officer who has become a pimp since his disgraced retirement years earlier. Joong-ho is facing fiscal bug after a few of his girls go missing, and after he sends yet another girl into a dangerous situation, he starts to find a design. After a long and bloodstained trail, he finally tracks down the killer, leading to a gruesome decision for both men.

The picture earned an impressive 80 percent rating on Rotten Tomatoes, with critics calling it "classy" despite all the blood and gore, and one big Hollywood star definitely took observe. In 2008, it was reported that Leonardo DiCaprio was eying a remake of The Chaser, and though naught has materialized since, information technology's however non out of the question that The Chaser might get an American do-over.

The Man from Nowhere

Sometimes, even the quietest people among us can exist driven to horrific acts of violence, as depicted in 2010's The Man from Nowhere. Directed and written by Lee Jeong-beom, the moving picture tells the story of Cha Tae-sik (Won Bin), a pawnshop possessor who by and large keeps to himself except for his close personal friendship with And then-mi (Kim Sae-ron), a little daughter who lives nearby. When Then-mi's female parent, a get-go-dancer, gets involved in the drug trade, she inadvertently puts her daughter at risk, and when she asks Tae-sik to look after a stolen detail for her, criminals kidnap So-mi to button Tae-sik to his breaking point. That plan definitely works, and Tae-sik goes on a killing spree to save his young friend.

The fact that Won Bin, one of South korea'due south most selective actors — he'south but appeared in five feature films, and The Man from Nowhere remains his final advent every bit of this writing — deigned to appear in the movie says everything, so information technology'due south non surprising that it fared extraordinarily well with critics, earning raves for Won Bin'due south performance and drawing comparisons to Luc Besson's The Professional person. Won Bin and the film itself both also picked up several awards at Southward Korean ceremonies afterwards the film's release, proving that if you're looking for one of Republic of korea's premier thrillers, look no farther than The Man from Nowhere.

Secret Sunshine

A quiet drama about a grieving widow trying to motion on with her life, 2007's Underground Sunshine was directed by one of South Korea's about notable names — Lee Chang-dong, an acclaimed novelist and filmmaker who once served equally South Korea's Minister of Culture. Based on a piece of work of short Korean fiction — "The Story of a Bug" by Lee Cheong-jun — Secret Sunshine focuses on Lee Shin-ae (Jeon Practice-yeon), a adult female who moves to her late husband'due south hometown of Miryang to try to outset her life over afterwards he passes away. When her car breaks down, Shin-ae meets a local mechanic (The Host and Parasite's Song Kang-ho), and though she's reluctant to brand friends, the two connect immediately. However, when her child is kidnapped, Shin-ae must grapple with a new tragedy while still grieving for her husband.

Jeon won All-time Extra at the 2007 Cannes Flick Festival for her work in the starring role, and fifty-fifty though the film's dark and difficult field of study matter makes for a hard watch, information technology earned entirely positive reviews from critics. Hugger-mugger Sunshine volition put yous through a tough emotional journey, merely in the cease, the moving picture makes it well worth the effort — and if you're a Criterion Drove fan, Secret Sunshine got its own edition in 2011.

A Taxi Driver

Before Parasite surged ahead of an international pack to score Best Picture in 2020, Republic of korea submitted a few films for Oscar consideration, including 2017's A Taxi Driver. Similar Parasite, A Taxi Driver — which was directed past Jang Hoon — stars Song Kang-ho in the championship office, telling the story of a cabbie who unwittingly becomes involved in the violent and dangerous Gwangju Uprising that took place in South korea in 1980. Written by Eom Yu-na, the film is based on interviews conducted by High german journalist Jürgen Hinzpeter (played in the flick by Thomas Kretschmann) with a cab driver who actually lived through the uprising. Eom had to imagine several parts of the driver's life, ultimately crafting a gripping — if not entirely faithful — tale.

Despite some potential historical inaccuracies, the film earned critical acclamation across the board, including members of South Korea'south own government. If you want to learn more about the Gwangju Insurgence and experience a touching story along with it, be certain to check out A Taxi Driver.

The Wailing

South korea has produced enough of great horror films, and the 2016 moving picture The Wailing is however some other excellent addition to this already packed genre. Directed by Na Hong-jin, The Wailing focuses on Jong-goo (Kwak Do-won), a policeman whose daughter Hyo-jin becomes ill with a mysterious and unsettling disease after Jong-goo sees a terrifying apparition in the woods. As villagers around him become infected with the same disease as Hyo-jin, Jong-goo tries to figure out which demons could exist causing this outbreak, while putting his own life at risk in the process.

The motion-picture show earned raves for its incredibly inventive story total of twists and turns, with a 99% rating on Rotten Tomatoes and overwhelmingly positive give-and-take of mouth from critics who went so far as to say that films similar The Wailing brand American films wait "clunky" past comparison. If you're okay with serious scares, be certain to check out The Wailing, and settle in for a wild ride.

Jump, Summer, Fall, Winter... and Spring

The tale of a Buddhist monk as he moves through the seasons of his long and peaceful life, 2003's Spring, Summer, Fall, Winter... and Spring is a lovely, thoughtful flick that showcases the virtues of a quiet existence. Helmed by arthouse manager Kim Ki-duk, the movie is divide into segments for each season in the championship (with spring, obviously, occurring twice), guiding audiences through decades of the life of a Buddhist monk as he works his fashion through his immature novice years (during which Jae-kyeong Seo plays the monk) under the tutelage of his mentor (Yeong-su Oh). When the young apprentice is tempted by a adult female who arrives at the monastery, it begins a lifelong struggle. Throughout the film, different actors play the monk, with the director himself joining the cast at points.

Critics loved this deep, emotionally stirring film, which balances its tranquil nature against a circuitous and gripping narrative. South Korea produces plenty of thrillers, but if y'all're looking for a less stressful spotter, consider Spring, Summer, Fall, Winter... and Spring instead — information technology's considered 1 of the best South Korean movies of the modernistic era.

Hotel by the River

A somber and gripping story of family drama and complicated relationships, the 2018 film Hotel past the River, directed by Hong Sang-soo, takes place in the eye of winter as poet Young-hwan (Ki Joo-bong), in the twilight years of his life, invites his sons (Kwon Hae-hyo and Yu Jun-sang) to a secluded hotel by the Han River, believing that his time on Earth is coming to an end. However, they're non alone; during a walk past the riverside, Young-hwan meets two women (Kim Min-hee and Vocal Seon-mi), who are also at the hotel to work out some personal problems. During their concurrent stays, the ii groups finish upward coming together, even every bit they piece of work out their family bug on their own.

All in all, critics praised Hotel Past the River for its strong direction and emotional depths, making information technology one of the country's best contempo dramas. If you're in the mood for for a tranquillity yet stirring story, Hotel by the River is a perfect choice.

The Yellow Ocean

If yous were a fan of The Chaser, yous'll love 2010'due south The Yellow Sea, which reunites manager Na Hong-jin withChaser stars Ha Jung-woo and Kim Yoon-seok. Notwithstanding, in this project, the two men switch roles; in The Yellow Body of water, Ha plays the protagonist and Kim plays the antagonist, whereas it'due south the other style around in The Attorney. In the film, Gu-nam (Ha), a cab driver working in China, is tasked to carry out an assassination to settle some outstanding debts. When he meets powerful gangster Myun Jung-hak (Kim), the criminal offense lord promises the driver plenty money to pay his debts if he comes to South Korea and kills a high-ranking man of affairs instead. However, it soon becomes clear that Gu-nam has bitten off more than he tin can chew.

Thank you to excellent action sequences and a thoroughly engrossing story, The Yellow Bounding main earned positive reviews from critics, proving that Na, Ha, and Kim'south success with The Attorney could exist replicated again — obviously, cinematic lightning occasionally strikes twice.

Thirst

A relatively loose adaptation of French writer Émile Zola'south novel Thérèse Raquin, the 2009 pic Thirst — called Bakjwi, or "bat," in S Korea — is an utterly unique story of dearest, horror, and gore, and also owns an interesting distinction in South Korean cinema as the first movie in the country's history to comprise total frontal male nudity. In the film, which was written and directed by Park Chan-wook, Catholic priest Sang-hyun (played by Due south Korean staple Sang Kong-ho) experiences a startling realization; he'due south in love with his friend's wife, and of a sudden, being with her by whatsoever means necessary seems like the cure for the doubt and depression subconscious by his devout exterior. In the midst of this, he volunteers at a local hospital and takes part in an experiment to assistance cure a claret disease, but as he receives transfusions that seem to cure the virus, he becomes a vampire. Now forced to navigate a life of bloodthirst, Sang-hyun must reckon with his new existence too as his feelings for Tae-ju (Kim Ok-bin).

Despite its bizarre premise, Thirst earned positive reviews from critics, who enjoyed Park's direction likewise every bit Sang's central operation. Vampire movies have been around for generations, but conspicuously, Thirst is a worthy addition to the pack.

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Source: https://www.looper.com/188508/the-best-south-korean-movies-you-need-to-watch/