Turning a penthouse with an awkward floorplan into a stylish designer home
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Turning a penthouse with an awkward floorplan into a stylish designer dwelling house
Undeterred by the irregular layout of this penthouse in Duo Residences, interior designer Gabriel Tan transformed the unit into a liveable space for its sociable, sophisticated homeowner.
The original wall between the dry and moisture kitchens has been replaced by an elegant fluted glass partitioning. (Photo: Studio Periphery/Khoo Guo Jie)
30 Nov 2022 06:30AM (Updated: 04 Jul 2022 09:41AM)
Homegrown talent Gabriel Tan is an established product designer, counting international brands such every bit Menu, Bla Station and Design Inside Attain as clients. Every bit a designer and creative director for Nippon-based furniture make Ariake, he has as well paved the way for traditional companies to find new relevance through collaboration.
Tan's contempo foray into spatial pattern is heady for both himself and his clients as he incorporates the same inventive problem-solving, careful detailing and material dexterity that characterise his products into interiors.
The results are holistic, multi-layered and refreshing. This penthouse in Duo Residences is a case in point. The client engaged Tan for the job after being impressed with his design of one of the testify units in Duo Residences, which is located inside the mixed-use complex designed past renowned German architect Ole Scheeren.
COMPOSING WITH CRAFT
The interior's angular plan echoes the sculpted architecture – Tan's strategy was to smoothen each sharp wall edge with a curve, infusing the interior with a fluidity that is at one time visually calming. A graphic wall pattern envelopes the dining room, created past infilling a framework of marmorino plaster with ash timber veneer.
"Our idea was to create a wall inspired by Japanese and Scandinavian elements, to take this sense of regularity and harmony with the repetition," said Tan. Marmorino plaster is usually applied to the exterior of buildings in Europe and dates as far back every bit Roman times. Used hither, it evokes a strong sense of artistry. Its agrarian quality is also given a subtle, light-reflecting sheen with embedded golden mica.
Confronting this backdrop is a bespoke dining tabular array capped with Dekton, a glass-porcelain-quartz composite. "Using this, we were able to create an ultra-calorie-free profile, which is unachievable with a conventional marble top that requires thick metallic supports," explained Jessica Chung, the project's lead interior designer.
The slenderness echoes the lithe lines of Tan'south Ariake dining chairs, matched with a floating cluster of bulbous, pleated Le Klint Lamella pendant lights. Across the aisle, the stairwell continues the curvilinear theme while an absorbing Egyptian blue hue adds punch to the soulful mise-en-scene.
Class AND Part
The living room is defined by an angular sofa and carpet that Tan customised to fit the awkwardly shaped space. The azure sofa and rug reflect the clear blueish sky and sea outside – a picture-perfect view framed past bronze-finished, PVD-coated panels that are glossy even so smudge-complimentary.
Overhead, the round ceiling is accentuated with a rhythmic band of ash timber veneer. Light penetrates the wet kitchen through a fluted glass wall that replaces the original cabinetry in the dry kitchen.
In the utility area, a flip-downwardly panel became a bed for a helper. Such infinite-saving features emphasise the home's high utility factor. Where possible, Tan cut into walls to carve out shelving and storage space. The stairwell characteristic adds to the sense of infinite while a concrete floor plinth capped in timber is transformed into a platform for houseplants.
Tan'southward production-design skills deftly meld surface and object. In the master bedroom, a brass-edged dresser extends from the mirror for a iii-dimensional result, while the study room shelving and table harmoniously integrate the wall surfaces of cork panels from Portugal, and the rough-sawn walnut and lime-ash veneer. The textured wall draws the eye to the architectural style of the bespoke artwork.
INSPIRED LIVING
The penthouse, soulful but not staid, exhibits a careful blend of pattern and colour. "In fact, we wanted to work with colours because normally nosotros work with objects that are not so colourful," said Tan. A instance in point is the prominent staircase volume. Another is the secondary sleeping room, where a absurd taupe flows from ceiling to wall, anchored by a geometric Vibia Pivot wall calorie-free designed by Ichiro Iwasaki.
On the rooftop, graphic monochrome tiles, a timber-encased Jacuzzi, customised material sun shades draped in elegant loops and an expanded bar counter class an inviting gathering spot. "The owner went to great pains to ensure the terrace is usable. Information technology also reflects her personality. She'southward very social and had thought near how the space could be used to agree modest parties," said Tan.
While the interior design is quintessentially Singapore-inspired, information technology draws from a rich influence of ideas from all over the earth, including the use of spatial colouring inspired by an apartment in Mies van der Rohe'south modernist Lafayette Park in Detroit in Michigan, USA.
A visit to the Le Klint mill in Denmark and a collaboration with Shanghai-based piece of furniture manufacturer Stellar Works on the living room furniture added to the eclectic blend of design. Even though the customer has a sophisticated style, she nudged the designer toward a design concept that emphasised immovability and timelessness.
The results are obvious. "Everyone was happy working on this projection – the contractor, client and our design team," Tan shared.
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